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The Making of a Great Wine Cellar |
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"When I come into my cellar, I go weak at the knees ---- and
not just the first time but over and over."
This is the result we look for in the design and creation of our
cellars. Is it easy to come up with new ideas and maintain the
quality of the components making up the cellar? Of course not, but
the reward of having a client and his guests express the above words make it worth
it.
This month we will discuss what makes the unimaginable cellar
a reality. We will also introduce the section where we interview
famous and well known wine makers and get inside the ideas and thoughts that result
in their success. We had a great interview with Keith Tulloch,
one of Australia's most respected wine makers,
from the Hunter Valley in Australia.
If you enjoyed the market report last month in
regards to where the world wine market is heading, you will enjoy
the second part which delves into the makeup up of wine consumers--
a very interesting report. We will also continue our education
in Italian wines with the discussion on Brunello.
On a side note-- Our contact in Europe who sources antique stone
and masonry for our clients just sent these photos of an
amazing antique orangerie from a chateau in the Loire Valley.
It is 50' x 23' and the arches reach up to 13'. If you would
like more information or have a special request please contact us.
photos
Thanks and enjoy!
Consumer Market Report-- What do people like??
Last month we highlighted the market report provided by VinExpo
regarding the direction of wine and production in the world market.
Interesting to see where Australia lies in this area and how things
are shaping up in both Napa and France.
This month we present the
second report which highlights how consumers are treating wine, what
they spend their money on, where the trends are heading, and the reason both men and women buy and
drink wine. You will certainly find this interesting from both an
enjoyment and investment standpoint. You will probably
see yourself in some of the results. Click the link below and watch
the slide show.
consumer report
Brunello!!
This is the next in a series of educational articles
provided by
Italian Wine Merchants in
New York City.
"The Nectar of Queens, Kings, and Popes"
Brunello (the little dark one) is a Tuscan dialect name for a
particularly fine strain of Sangiovese grown in Montalcino, south of
both Chianti and Siena. In this dryer, hotter, and more
Mediterranean
climate of southern Tuscany, the limestone and sand soil produce a
muscular grape capable of making a rich, dark, concentrated red
(heavier and more tannic than Chianti).
Tongue-curling tannins and firm acidity allow these wines to age,
catching the eyes of wine collectors,
continue to the article
Keith
Tulloch-- Great Australian Wine Maker
We recently had a nice opportunity to speak with Keith Tulloch
and his wife Amanda while on business in Australia. It came at just
the right time as they had just moved into their new winery at the
Hunter Valley.
Cellarworks:
When and how did you become interested in wine
making? What is your background in the industry?
Tulloch:
I am a forth generation Hunter Valley family winemaker. My
great-grandfather began winemaking in 1896. You could say that
winemaking is in the blood. It is truly a passion, I cannot imagine
doing anything else.
I have always
been fascinated with wine, particularly with the “art of blending”.
It is significant that many of the world’s great wines are blends of
either vineyard resources or different varieties, with Champagne,
Bordeaux and the Rhone perhaps the most distinguished. Blending is
endlessly challenging, there are so many options and variables to
explore in creating complex and complete wines.
Cellarworks: Why do you enjoy the Hunter region and what do you feel
it has to offer?
Tulloch:
The Hunter Valley is only 100 miles from Sydney, and the vineyard
areas are only 30 miles from the coast. The Hunter Valley is not
only the oldest wine production district in the country, it is also
a beautiful place to live. We have a wonderful climate all year,
the best surf beaches, and of course cosmopolitan Sydney at our
doorstep.
It is Australia’s premier tourist destination, with the best
Resorts, restaurants, and wines, so it offers great a lifestyle to
residents and visitors alike.
Cellarworks: In your opinion, how do
you feel it is different from other regions in Australia? To what
world region is it most similar?
Tulloch:
The Hunter Valley is viticulturally different because it has a very
special climate. Our Summers are hot, but the vineyards are close
enough to the coast to enjoy sea-breezes and afternoon cloud cover.
The sunshine ensures that the grapes reach maximum ripeness, but
this “cooling” coastal influence helps to maintain balance and
structure in the wines, particularly with Semillon and Shiraz.
The Semillon
from the Hunter is unique – pure zesty lemon and lime fruit, so it
cannot really be compared with other wine regions.
Hunter
Shiraz, though, has many similarities with the red wines of the
Rhone Valley in France-- they are deep and concentrated, with
savory, spicy and complex personalities.
I have worked in the Rhone and studied with French winemakers, so
part of my focus with Shiraz is in creating greater boldness,
richness and complexity by using French techniques. The Hunter
Valley also produces high quality Chardonnay and Merlot, and
occasionally very strong Cabernet as well.
Cellarworks: What would you consider
to be your wine making style?
Tulloch:
My focus and winemaking style is determined by the great wines of
the world, not just the great wines of Australia or of the Hunter
Valley.
Accordingly, while I have graduated from Australia’s preeminent Wine
School, Roseworthy College in Adelaide, South Australia, I have also
traveled and studied winemaking in France, where I still believe the
ultimate quality wines of the world are made.
Because the closest link to Hunter Valley red wine is the Rhone
Valley in France, I have worked Vintage there, and return to the
Hermitage district to maintain my study during marketing visits to
the UK.
My winemaking style is therefore a hybrid of new-world science and
old-world introspection-- looking for more of the complex, subtle
and elemental nature of wine.
Cellarworks: What is your philosophy
and key to success?
Tulloch:
Firstly, I have been a full-time winemaker for the last 20 years,
and also a wine Judge for 12 years, a Consultant Winemaker for 7
years, and a wine writer as well for the last 3. As a result, I
judge and study premium wines of the Hunter Valley and of Australia
and from the great wine areas of the world.
I am a forth
generation winemaker in the Valley who understands the soil and the
vineyards, and the inherent nature of the area’s varieties and the
styles they make.
Secondly, as a wine Judge, when tasting I clinically “dismantle”
wine character - and try to distinguish the independent elements of
aroma and taste - to understand the nature, personality and
structure of wine quality and style.
Thirdly, as a winemaker in the winery, I experiment with wine
processing and blending to re-assemble these elements in my wines,
to achieve the ideal in personality and structure. The larger the
range of experiments, the greater the pool of resources to trial in
blends. It is an ongoing passion rather than a job: never being
absolutely satisfied with the result, and striving to find different
ways to achieve a better result.
Cellarworks: How has your business
evolved recently?
Tulloch:
In 1998 I started my own wine production Company. The business plan
was mapped from the marketplace backwards to the fruit resource.
This strategy enabled us to explore what the market wanted to buy,
and what it was willing to pay, before we made any commitment to the
vineyard resource or wine production. We lease vineyard area, and as
we grow we find extra old-vine property and control the fruit
supply. We lease winery production floor space, and buy our own
premium barrels for wine maturation and storage. The capital
investment is greatly reduced, giving the optimum potential for
investment in stock as well as marketing. The investment in stock is
without compromise to quality: we find only the best resources to
incorporate.
As a result, demand is growing quickly, and we are now serving
Agencies into England and Scotland, South East Asia, and Canada
(BC). We do not have wine distribution into the US at this stage
(but would be pleased to talk with interested Importers or Agents)
Cellarworks: How is your business a real family business?
Tulloch:
My wife Amanda is a Director and the General Manager of our
business. Amanda operated her own Consultancy prior to taking on our
wine enterprise.
They say you need two types of Directors to successfully run a
business : One with their head in the clouds reaching for the stars
(that’s me), and the other grounded in reality and doing the
steering (that’s her). We also have two teenage children who may one
day decide to do something, but I would prefer them to gain
real-world experience with some other business first. My son
Alisdair, (a potential scientist) says there is some allure in
becoming the fifth generation family winemaker, and I would love to
help him achieve his ambition.
Cellarworks: Any comments on any new
technology or aspects of wine making you either use or oppose?
Tulloch: I am
in total support of using new technology in wine making, as this has
been instrumental in the New World’s astounding growth in the
international wine marketplace. Technological adaptations (like
micro-oxidation, for example) have reduced the production cost of
wine, or (like reverse osmosis) have improved general wine quality.
There is a risk, however, in looking singularly to technology, as
this may mislead winemakers from finding easier traditional
solutions to their winemaking problems, and result in wines that all
look much the same.
Accordingly, I favor the more complex and traditional processes of
winemaking in order to create wines with difference.
Cellarworks: What do you feel the
future holds for you?
Tulloch:
Tinkering, experimenting and blending - in the endless pursuit of
better wine.
Also, I look forward to enjoying the control and development of my
own Company (if my wife says that’s OK), and ultimately reinvestment
back into our own vineyard and winery assets.
Cellarworks: Thank you for the
great comments and we certainly hope for your continued success. To
learn more about you and your great wines, we will direct our
readers to your website.
Keith Tulloch's Web Site
Making the Great Wine Cellar
You just have to, you must. You can not stand to be apart a second
longer. It's midnight, but you sneak, barefoot down the stairs,
engulfed in darkness. You approach, grope for the door handle and
step inside. The cool, stone floor beneath your feet brings a chill
and a thrill. You feel for the light and as it casts a warm glow,
you sigh with contentment... "Ahhh, my wine cellar"
There is much brain storming, passion and
anticipation when our design team at Cellarworks begins creating a
wine cellar. Our goal is to make our client go weak at the knees---
and that’s before he opens his favorite bottle of Bordeaux.
Last
month we discussed the importance of what is behind those cellar
walls. This month we’ll focus on the exciting part, the interior
design aspects that make the wine cellar a breathtaking feature.
The most obvious feature is the wine storage furniture--- the
racking. The rich look of oiled Mahogany brings instant depth and
warmth into a wine cellar. For a more contemporary look, the effect
of bleached Maple is striking.
The actual design and finishes of the
furniture makes a huge difference in the overall look and quality
of the cellar. Because we manufacture our custom furniture, any wood
and finish can be used depending of the application.
A unique floor certainly adds to the atmosphere. We’ve seen how
antique stone from Europe, such as 300 year old French terracotta,
centuries old Portuguese mosaics, or 1st century Jerusalem
stone give the cellar an old world feeling. A good example of this
is the antique orangerie mentioned at the beginning of the
newsletter.
On the other hand, for a
modern cellar, polished marble, copper inlay, or glass mosaics are
effective.
Wall finishes can also be modern or traditional such as the old
world techniques of Marmarino, stucco Valentino, and warm Tuscan
washes. These give a cellar depth and age. For a modern wall
finish, the chic look of Ebony paneling with chrome inlay is
a stunning example.
Lighting is one of the features that really create the ambiance of
the wine cellar. A large antique wrought iron chandelier will
instantly create intrigue – throwing shadows and shafts of light
upon the bottles below. You will feel as though you are standing in
an old wine cave in Burgundy.
In contrast, a contemporary cellar may
have the bottles lying in abstract mid century boxes mounted to the
walls and back lit with aqua color glass, throwing a cool, surreal
glow on the bottles. This wine cellar has a feeling of mystery and
sophistication.
Even the finishing touches such as hardware can make a real design
statement, such as the antique look of engraved Victorian brass
hinges versus the clean and simple look of mid century chrome. All
of these different components in combination with design and
creativity make the dream cellar.
So, whether your style is contemporary, old world, art deco,
traditional, mid century, or eclectic, the options are endless,
fascinating, and limited only by the imagination.
To view some of the features mention, you are welcome to look at the
photo gallery on our website.
And Finally...
Next month we will highlight and interview a very well know wine
maker from Napa Valley-- Delia Viader. Her wine has won many
awards and is highly regarded by collectors. We will also continue
our discussion on what makes a beautiful cellar by discussing the
wine storage furniture, it's application, and the many possibilities.
If you know someone who would benefit from the above
information or would enjoy receiving future newsletters, have them
email us.
Have a great month and please send us your
comments
questions or suggestions.
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